The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?)

Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?)

  • Mirushe Hodja Ss. Cyril and Methodius University in Skopje
  • Saše Tasev Identities: Journal for Politics, Gender and Culture
Keywords: theater, universality

Abstract

Author(s): Mirushe Hodja | Мируше Хоџа

Title (English): The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?)

Title (Macedonian): Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?)

Translated by (English to Macedonian): Saše Tasev | Саше Тасев

Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001)

Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute

Page Range: 137-143

Page Count: 7

Citation (English): Mirushe Hodja, “The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?),” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001): 137-143.

Citation (Macedonian): Мируше Хоџа, „Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?)“, Идентитети: списание за политика, род и култура, т. 1, бр. 1 (лето 2001): 137-143.

Published
2001-01-01
How to Cite
Hodja, M., & Tasev, S. (2001). The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?). Identities: Journal for Politics, Gender and Culture, 1(1), 137-143. Retrieved from http://www.identitiesjournal.edu.mk/index.php/IJPGC/article/view/19

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